Stainless Steel Pipe 321 Coil Tube Manufacturer

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       Combining two powerful humbuckers with additional switching capabilities, the Epiphone Les Paul Studio sounds so Gibsonian you won’t need to refinance your home to get one.

Specifications:

Stainless Steel Pipe 321 Coil Tube Manufacturer
1). Diameters:3.175-50.8mm(1/8″-2inc)
2). W. T.: 0.3 – 3mm
3). Grades: 304 316304 304L 316 316L 310S 2205 2507 625 825 etc.
4). Standard: GB/ISO/EN/ASTM/JIS, etc.
7. Tolerance: OD: +/-0.01mm; Thickness: +/-0.01%.
8.Surface: Bright or anneald and soft
9. Material: 304, 304L, 316L, 321, 301, 201, 202, 409, 430, 410,alloy 625 825 2205 2507 etc.
10. Packing: LCL wooden case poly bay,FCL steel self or poly bay
11. Test :Yield strength, tensile strength, hydrapress measurement
12.Guarantee:The third party (for example :SGS TV ) cetification ect.
13. Application: Decoration, furniture, railing making, paper making, automobile, food processing, medical.
14:Advantage:we are a manufacturer.with good quanlity and reasonable price.we can meet you all the needed.we are profession

All the Chemical Composition and Physical Properites for Stainless Steel as flowing:

Material ASTM A269 Chemical Composition % Max
C Mn P S Si Cr Ni Mo N B Nb Ti
TP304 0.08 2.00 0.045 0.030 1.00 18.0-20.0 8.0-11.0 ^ ^ ^ . ^
TP304L 0.035 2.00 0.045 0.030 1.00 18.0-20.0 8.0-12.0 ^ ^ ^ ^
TP316 0.08 2.00 0.045 0.030 1.00 16.0-18.0 10.0-14.0 2.00-3.00 ^ ^ ^
TP316L 0.035 D 2.00 0.045 0.030 1.00 16.0-18.0 10.0-15.0 2.00-3.00 ^ ^ ^
TP321 0.08 2.00 0.045 0.030 1.00 17.0-19.0 9.0-12.0 ^ ^ ^ 5C -0.70
TP347 0.08 2.00 0.045 0.030 1.00 17.0-19.0 9.0-12.0     10C -1.10 ^
Material Heat treatment Temperure F (C) Min. Hardness
Brinell Rockwell
TP304 Solution 1900 (1040) 192HBW/200HV 90HRB
TP304L Solution 1900 (1040) 192HBW/200HV 90HRB
TP316 Solution 1900(1040) 192HBW/200HV 90HRB
TP316L Solution 1900(1040) 192HBW/200HV 90HRB
TP321 Solution 1900(1040) F 192HBW/200HV 90HRB
TP347 Solution 1900(1040) 192HBW/200HV 90HRB
OD, inch OD Tolerance inch(mm) WT Tolerance % Length Tolernace inch(mm)
+ -
≤ 1 / 2 ± 0.005 ( 0.13 ) ± 15 1 / 8 ( 3.2 ) 0
> 1 / 2 ~1 1 / 2 ± 0.005(0.13) ± 10 1 / 8 (3.2) 0
> 1 1 / 2 ~< 3 1 / 2 ± 0.010(0.25) ± 10 3 / 16 (4.8) 0
> 3 1 / 2 ~< 5 1 / 2 ± 0.015(0.38) ± 10 3 / 16 (4.8) 0
> 5 1 / 2 ~< 8 ± 0.030(0.76) ± 10 3 / 16 (4.8) 0
8~< 12 ± 0.040(1.01) ± 10 3 / 16 (4.8) 0
12~< 14 ± 0.050(1.26) ± 10 3 / 16 (4.8) 0

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        The original Les Paul Studio was designed to fill a void in Gibson’s product line that needed a more affordable price to get into the hands of working guitarists. Following a similar philosophy, the Epiphone Les Paul Studio aims to capture the magic of the original Gibson at an even better price.
        Gone are any unnecessary decorative elements such as neck and body fasteners. The body has been reduced in thickness and features a veneered maple top instead of an AAA flamed maple top. The Ultra Modern’s weight reduction completes the process of shedding this instrument, which you might think has shed everything that originally made it look like a Les Paul.
        However, you are mistaken, because the magic of the Epiphone Les Paul Studio lies precisely in its stripped-down nature. This is a pure virtuoso guitar with full timbre and no frills. The nickname “Studio” came from the fact that these guitars were originally intended to be indistinguishable from real ones on the record, despite differences in appearance and cost.
        Take the Epiphone Les Paul Studio out of the beautiful semi-rigid case that came with it and you’ll immediately feel the weight loss as you work, but it still feels like a real instrument when you sit down. We wouldn’t call it light, but it doesn’t have the inexplicable heft that some Epiphone models have.
        Our version has a classic high gloss ebony finish combined with a traditional black pickguard. It’s flawlessly polished, and with its deep sheen, you’ll definitely want to dust it down every time you play to keep it looking its best. The black speed knobs maintain an elegant and understated aesthetic while providing quick volume and tone changes, hence their name.
        To offset the all-black outfit, we included chrome hardware, Grover Rotomatics tuners, and a classic Locktone tune-o-matic bridge and locking arms. It all felt very solid out of the box and was set up very well, requiring only minor intonation tweaks to get exactly what we wanted.
        Two Epiphone Alnico Classic PRO humbuckers form the electronics in a classic Les Paul four-button layout, made up of high-quality CTS pots. Both volume knobs have a push-pull function, providing additional coil splitting options for each humbucking pickup.
        The neck is shaped like a ’60s SlimTaper, and despite its name, it’s quite chunky to the touch, perfect for big bands and powerful chord work. The neck tapers rapidly from the edge of the neck, giving it an almost D-shaped profile. It’s definitely thinner than a baseball bat neck on a ’50s Les Paul, but not as tight as a guitar with a modern C profile.
        Despite the slight traces of the new neck sticking to the smooth surface, this Les Paul is actually a pleasure to play. However, accessing the neck’s treble feels a little awkward when you’re sitting down and playing, but once you put it on and stand up, you’ll feel like a real rock star.
        The Indian Laurel fingerboard paired with the Medium Jumbo frets provides a great platform for a variety of performances, whether playing open chords or relaxing big blues bends. The combination of neck material and fret size gives you a real sense of pitch change. You can feel the wood pushing away from your fingers, giving you the confidence to let it go once you have found the best position.
        The width of the neck is also very comfortable, and those with small hands can easily place their thumbs on the neck – no wonder we rated it as one of the best electric guitars for beginners. Difficult chords are easy too, and the Les Paul’s signature 24.75″ scale length ensures that a three-note-per-string legato will feel very fast on the fretboard.
        However, where the Epiphone Les Paul Studio really shines is in the sound. The sustain of the Epiphone Alnico Classic Pro Humbucker is frankly amazing, taking you from piercing blues to melancholic clean and back to dirty doom. Starting with a clean tone in black style, we found the pickups to be responsive and have plenty of power. The neck pickup, in particular, is pleasing with its clean surroundings, delivering the tight tone that Les Pauls are known for.
       The ability to mix and match the tone of each pickup and volume knob has always been a strong point of the Les Paul configuration, and the added push-pull feature gives you a wider palette of tones.
        Combined with a germanium-based fuzz pedal, we got great sustain leads that just begged to be played over and over again. We added a Klon clone that, even without the help of a compressor, produced a nice breakup sound that lasted for days. When we plugged it into the amplification channel of our Orange Rocker tube amp, the sound went from seething to consuming hell, much to our delight and, we believe, to the dismay of everyone in the vicinity.
        The ability to mix and match the tone of each pickup and volume knob has always been a strong point of the Les Paul configuration, and the added push-pull feature gives you a wider palette of tones. While the coil split positions aren’t as pleasant as a true single coil, they certainly deliver the sound you’d expect, and they’re a great option when you want to make changes to a song or even just turn down the output for a clean pass. .
        If the “right” Gibson Les Paul is out of your price range and you don’t mind grooming your favorite single-coil sound, then the Epiphone Les Paul Studio is the perfect choice for you. This instrument combines incredible sound with simplicity for the live guitarist who needs versatility.
        Matt is a junior writer at Guitar World and has been making the guitar his primary instrument for over 20 years. He also plays drums, bass and keyboards from his home studio in Manchester, UK. He previously worked for Dawsons Music, Northwest Guitars and freelanced for various magazines and blogs writing reviews, guides and articles. When he doesn’t load up the latest VST or justify buying another guitar pedal, you might find him making racquets with northern JACKALS noise hounds (opens in new tab).
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Post time: Mar-21-2023